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  • Writer: Mauricio Botero
    Mauricio Botero
  • Oct 11, 2018
  • 1 min read

Blocking:


I have reworked the blocking pass of the shot 1 of the scene 5. I add a couple more poses and pushed other ones, also I addressed some notes by the classmates and the professor.


Scene 5/Shot 1:

Final Blocking: 4 Hours & 13 Minutes

Total Time: 4 Hours & 13 Minutes

  • Writer: Mauricio Botero
    Mauricio Botero
  • Oct 8, 2018
  • 1 min read

Updated: Oct 10, 2018

Blocking Pass:


For today's class, we were asked to block out the key poses of our assigned shots. These are the ones I was assigned. There is another one but first I need to talk with another animator who may be doing the same one.


Scene 5/Shot 1:

Final Blocking: 2 Hours & 31 Minutes

Total Time: 2 Hours & 31 Minutes


Scene 7/Shot 6:


Scene 8/Shot 1:

Scene 7-8/Shot 6-1:

Final Blocking: 1 Hour & 40 Minutes

Total Time: 1 Hour & 40 Minutes

  • Writer: Mauricio Botero
    Mauricio Botero
  • Oct 3, 2018
  • 1 min read

Updated: Oct 10, 2018

Previs Corrections:


Today I will present the previs corrections for the sequence 6 (starting a campfire). There were very few corrections to be made so I didn't spend more than 30 minutes fixing it. I hand out to Benjamin Burke the sequence 2 because he have a better understanding on how the scene will be staged. The other sequences didn't have any note to address right now.


References for Compositing:


Also, I will show references for the glass fissure of the phone to start doing a pattern to use for the compositing in Adobe Illustrator. The idea is to use vector images to get a customized pattern and use Adobe After Effects or Nuke to soften the edges.





All images were taken from Google and are just for reference. No copyright intended.


© 2024. Mauricio Botero Ruiz

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